sync is most of the time a start/stop signal plus a sync signal of pulses that controls the tempo of a sequencer. Trigger is just one pulse which can control an external sequencer (1 pulse for every step) or can trigger drumsynths and/or filters or other controls on a (semi)modular synth. (In some settings an audio signal can also be used as trigger).
The thing with analog sequencing is to find out the values of every signal and if it responds with the instrument you want to control. There are various types of cv/gate, sync and trigger and it depends a lot on the manufacturer.
Some examples (if I'm correct):
Moog & Yamaha = s-trigger,
Roland = 24pps (pulse per quarter note) sync, cv/gate 5v, triggers
Korg = 48pps sync, ch/hertz
Sequential Circuits = cv/gate, tape-sync
etc..
ZeHa wrote:Hey there,
I always wondered about how those pre-MIDI syncing methods work, but I've not been able to find any articles on that subject. I sometimes hear stuff like "The synth gets triggered from my 808", but I'm not entirely sure what this exactly means.
My primitive mind is able to understand the concept of a "start" and "stop" signal, that starts external sequencers when they receive it. But what about "sync" and "trigger"? Is that the same or two different functions? Does the sync simply emit a pulse for every 16th note? Do the other machines' sequencers then adjust their internal tempo and play along, or does the received pulse signal really trigger each "next" note of the sequencer?
TB or not TB